Das kleine Schwarze crylics and permanent marker on fashion advertisement shahram entekhabi All heads and bodies of women in European fashion advertisement are covered by the black veil, Shahram Entekhabi, London, Berlin, Tehran, active in the fields of video art, photography, painting, drawings, installation, performance, sculptures and para-architectural and community art, urban setting and inspired by Charles Bauderlaire’s, concept of the Flaneur, variety of performative practices using digital media, architecture and drawings. In particular, self-ghettoization, urban domain, migrant communities from the Middle East and their diaspora. The question of visibility and invisibility, creating informal structures migrant prototypes Islamic fundamentalist Islamic Star, Kurdish activist, Mehmet, Guerilla-guy , Miguel, criminal from the Balkans, Mladen, auto-aggression, guest-worker contributing to German reconstruction. sculptures and para-architectural installations, informal architecture, paraarchitechtur. (sharam entekabi scharam entecabi entkhabi entekhabi )<meta name="" content="Shahram Entekhabi, London, Berlin, Tehran, active in the fields of video art, photography, painting, drawings, installation, performance, sculptures and para-architectural and community art, urban setting and inspired by Charles Bauderlaire’s, concept of the Flaneur, variety of performative practices using digital media, architecture and drawings. In particular, self-ghettoization, urban domain, migrant communities from the Middle East and their diaspora. The question of visibility and invisibility, creating informal structures migrant prototypes Islamic fundamentalist Islamic Star, Kurdish activist, Mehmet, Guerilla-guy , Miguel, criminal from the Balkans, Mladen, auto-aggression, guest-worker contributing to German reconstruction. sculptures and para-architectural installations, informal architecture, paraarchitechtur. (sharam entekabi scharam entecabi entkhabi entekhabi )"> <meta name="keywords" content="Shahram Entekhabi, London, Berlin, Tehran, active in the fields of video art, photography, painting, drawings, installation, performance, sculptures and para-architectural and community art, urban setting and inspired by Charles Bauderlaire’s, concept of the Flaneur, variety of performative practices using digital media, architecture and drawings. In particular, self-ghettoization, urban domain, migrant communities from the Middle East and their diaspora. The question of visibility and invisibility, creating informal structures migrant prototypes Islamic fundamentalist Islamic Star, Kurdish activist, Mehmet, Guerilla-guy , Miguel, criminal from the Balkans, Mladen, auto-aggression, guest-worker contributing to German reconstruction. sculptures and para-architectural installations, informal architecture, paraarchitechtur. (sharam entekabi scharam entecabi entkhabi entekhabi )"> <meta name="description" content="Shahram Entekhabi, London, Berlin, Tehran, active in the fields of video art, photography, painting, drawings, installation, performance, sculptures and para-architectural and community art, urban setting and inspired by Charles Bauderlaire’s, concept of the Flaneur, variety of performative practices using digital media, architecture and drawings. In particular, self-ghettoization, urban domain, migrant communities from the Middle East and their diaspora. The question of visibility and invisibility, creating informal structures migrant prototypes Islamic fundamentalist Islamic Star, Kurdish activist, Mehmet, Guerilla-guy , Miguel, criminal from the Balkans, Mladen, auto-aggression, guest-worker contributing to German reconstruction. sculptures and para-architectural installations, informal architecture, paraarchitechtur. (sharam entekabi scharam entecabi entkhabi entekhabi )">

Das kleine Schwarze © Shahram Entekhabi 2003-05 series of 10 poster 180 x 120 cm acrylics and permanent marker on fashion advertisement Since 2001, Shahram Entekhabi covers all female heads and bodies in fashion magazines, on Persian miniatures, postcards or in advertisements with the black veil to sensitise the Western viewer to the practical use of the tchador as an ominipresent element of the every-day in his home-country Iran. Ironically, he refers at the same time to the common practice during the time of the Islamic revolution in Iran when the religious leaders censored books and magazines through covering images of female bodies.


All heads and bodies of women in European fashion advertisement are covered by the black veil.