TEN WORKERS
Shahram Entekhabi, in collaboration with Adrian Wong
With performances by:
Cheung Ka Wing, Mark Lo, Peng Yanhan, Sheila Cheung |
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| Saturday, 29 March, 2008, McAulay Studio, Hong Kong Arts
Centre |
Opening Saturday April 12, 2008, Embassy Projects,Hong Kong S.A.R. |
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| Ten Workers, Objects, each 160 cm |
| Video Photographs, and Installation, |
Ten Workers
The inception of the Ten Workers project was
the product of the joining of two diaspora artists exploring the ideas
of
migration
and its effects on cultural representations, stereotypes, and conceptions
of gender and identity. Through their own migration and travels, the
artists’ living situations are characterized by a distinct and
persistent instability, thus creating a working space synchronized
with the subject matter. An analysis of ourselves, through plumbing
the correlations
between our own identities and those of participants, is ostensibly
the starting point for our investigations.
Through globalization the world at large was introduced to what can
be described as an interstitial culture formed by the expatriate community.
Those living in this community, often ill understood and marginalized,
are chiefly portrayed as one-dimensional characters either in terms
of
otherness or the potential threat that they represent. We sought to
explore these communities in a way that extends beyond the traditional
tropes
of anthropology, sociology, or activism to touch upon the subtleties
of imaginative space, in particular the performance of the masculine
imagination as manifestation of the patriarchal superstructure.
The first iteration of the Ten Workers Project (Hong Kong) resulted
in a staged “self-portrait” of the contemporary Asian male
psyche. In the series of filmed vignettes and public performances/happenings,
male actors and participants were placed into situations suggestive
of
the workplaces of migrant sex workers (hostess clubs, brothels, etc.).
Through multiple apparatuses, we sought to explore the social and cultural
influences of male behavior: namely thoughts, dreams, preferences,
fears, and desires. As an additional constraint to our process, it
was our aim
to extend the dialogue beyond the conventional imagery of human sexuality,
targeting instead (the functions of its power dynamic on) the space
of the banal and everyday. How does a man make a sandwich when given
the
opportunity to do so in the world of fantasy? When engaged in the perfect
after-dinner conversation, what does he speak about? What does he pray
for? What do men do behind closed doors, and what are the hidden functions
of these private spaces?
Within the defined boundaries of our site, the male actor is freed
from the constraints of identity, style, political correctness, and
adopted
morality. Given complete control of his surroundings, the result ranges
from the depraved to the uplifting to the absurd. In an upheaval of
convention, the subject of the migrant workers was inverted to focus
not only on
the workers themselves but also on the population that they serve.
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Ten worker, video 18:12 min. , HD color/sound, © Shahram
Entekhabi in collaboration with Adrian Wong 2008
Video performers: Cheung Ka Wing, Mark Lo, Paul chu, Peng
Yanhan, Sheila Cheung, camera and editing Shahram Entekhabi |

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| Live performers: Friday April
11, 2008, Kowloon Technical School, performers by: Damon Tong, Law Man
Lok, Jesica Lue, Sheila Cheung |
special thanks to: affa Lam, Law Man-Lok, Meipo
Yuen, Paul Chun, and Stephanie Donna Sin
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