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Shahram Entekhabi
  • Home
  • ABOUT
    • Biography
    • Essays / Exhibition Texts
      • julia-allerstorfer
      • mieke-bal
      • doris-berger
      • aimee-marcereau
      • nat-muller
      • kea-wienand
      • kathrin-becker
      • raul-zamudio
    • Exhibitions
    • Publications
    • Interviews
    • Curatorial Projects
  • Video Works
    • Mladen
    • Looking for M
    • Breakfast with Dinosaurs
    • My Mother – The History of Iran
    • MIMRA
    • Happy Meal
    • Haji Firuz
    • Herr Karl aus Nemsa
    • Islamic Star
    • i?
    • Self-Portrait as a Fountain
    • Mehmet
    • I Am John Galt
    • Fresh Sinezani
    • I am an Elephant
    • Gwai Lo
    • Per un Pugno di Euro
    • Globe
    • Egalitarian
    • Glub
  • Lines of Control
    • No Exit / Rotterdam
    • Caution / Cleveland
    • No Exit / Lucerne
    • Pass
    • No Exit / Lucerne
    • Attenzione / Bologna
    • Caution / Kraków
    • No Exit / Berlin
  • Figurs Images Power
    • membrane
    • islamic_carding
    • Zeichnungen
Shahram Entekhabi
  • Home
  • ABOUT
    • Biography
    • Essays / Exhibition Texts
      • julia-allerstorfer
      • mieke-bal
      • doris-berger
      • aimee-marcereau
      • nat-muller
      • kea-wienand
      • kathrin-becker
      • raul-zamudio
    • Exhibitions
    • Publications
    • Interviews
    • Curatorial Projects
  • Video Works
    • Mladen
    • Looking for M
    • Breakfast with Dinosaurs
    • My Mother – The History of Iran
    • MIMRA
    • Happy Meal
    • Haji Firuz
    • Herr Karl aus Nemsa
    • Islamic Star
    • i?
    • Self-Portrait as a Fountain
    • Mehmet
    • I Am John Galt
    • Fresh Sinezani
    • I am an Elephant
    • Gwai Lo
    • Per un Pugno di Euro
    • Globe
    • Egalitarian
    • Glub
  • Lines of Control
    • No Exit / Rotterdam
    • Caution / Cleveland
    • No Exit / Lucerne
    • Pass
    • No Exit / Lucerne
    • Attenzione / Bologna
    • Caution / Kraków
    • No Exit / Berlin
  • Figurs Images Power
    • membrane
    • islamic_carding
    • Zeichnungen
  • More
    • Home
    • ABOUT
      • Biography
      • Essays / Exhibition Texts
        • julia-allerstorfer
        • mieke-bal
        • doris-berger
        • aimee-marcereau
        • nat-muller
        • kea-wienand
        • kathrin-becker
        • raul-zamudio
      • Exhibitions
      • Publications
      • Interviews
      • Curatorial Projects
    • Video Works
      • Mladen
      • Looking for M
      • Breakfast with Dinosaurs
      • My Mother – The History of Iran
      • MIMRA
      • Happy Meal
      • Haji Firuz
      • Herr Karl aus Nemsa
      • Islamic Star
      • i?
      • Self-Portrait as a Fountain
      • Mehmet
      • I Am John Galt
      • Fresh Sinezani
      • I am an Elephant
      • Gwai Lo
      • Per un Pugno di Euro
      • Globe
      • Egalitarian
      • Glub
    • Lines of Control
      • No Exit / Rotterdam
      • Caution / Cleveland
      • No Exit / Lucerne
      • Pass
      • No Exit / Lucerne
      • Attenzione / Bologna
      • Caution / Kraków
      • No Exit / Berlin
    • Figurs Images Power
      • membrane
      • islamic_carding
      • Zeichnungen

Explore

Biography
Selected Exhibitions
Publications
Interviews ↓
Curatorial Projects

A selection of interviews, essays, and critical texts discussing the work and artistic practice of Shahram Entekhabi.


Interviews


Splendid Gender Bending
Interview with Nat Muller
Conversation with Shahram Entekhabi


Of Keys and Pigeons
Interview by Alia Rayyan
Published in Bidoun


Wenn Blicke töten könnten…
Interview with Kea Wienand
Published in kritische berichte – Journal for Art and Cultural Studies


Critical Texts

Happy Meal
Essay by Aimee Marcereau DeGalan
Catalogue text for the solo exhibition Happy Meal
Fleming Museum of Art, University of Vermont


Semiotics of a Migrant Man Located in Germany
Essay by Doris Berger
On the video works of Shahram Entekhabi


Conversations & Essays

Flâneur in Contemporary Urban Culture
Interview / essay by Farouq Mazloumi
On the work of Shahram Entekhabi



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